It is believed that the cohabitation of cat and man began when the first men made the change from being hunter-gatherers to being farmers and began to accumulate large quantities of food. Cats were then employed in barns as rat hunters. There is certain evidence of peaceful cohabitation between cats and men in Egypt (where they were worshipped) and later also in Greece where, however, this animal never gained the prestige it had in Egypt.

If in the Roman world cats were rare in the first century AD, their remains are also rare. None of their skulls are preserved, in fact, in the storehouse of Pompeii, where skeletal parts of many and various animals abound (most of them are displayed today in the first room of the Boscoreale Museum). Two of them, however, came to light in Oplontis, returned from the excavation of the Imperial Villa. It is no coincidence that the discovery occurred in a building of such great luxury, that is where it was conceivable that exotic and rare animals were hosted. In Pompeii, however, there is no shortage of representations of the feline: of remarkable beauty, for example, is the mosaic coming from the “Casa del Fauno” which represents a “Cat that bites a partridge”, now kept in the National Archaeological Museum of Naples. The same museum displays another Pompeian mosaic floor which represents “Parrots, a dove and a cat”, also coming from the “Casa del Fauno”. In any case, it should not be forgotten that Pompeii had many contacts with Greece and Egypt; therefore it is believed credible that the “Pompeian” cats, the few there were, managed to save themselves at the first signs of the catastrophe, something that perhaps did not happen in Oplontis. However, these are just mere speculations.

It is interesting to note that the cat, apart from its beauty and its ability to keep company, from the first century AD progressively replaced the weasel in Roman houses, which until then, had been raised in a semi-domestic state to fight mice (See note).

Many wealthy customers were constantly looking for exotic and strange animals which, with their presence, would certainly have emphasized the prestige of their house: and here – see photo – is a new species of cat with a peculiar maculate livery. This valuable Hellenistic mosaic floor, now kept in the Archaeological Museum of Naples, shows this rare cat, two parrots and a dove at the watering place. For the Western world it is a rare animal: it is the Steppe Cat, rich in various forms, all Asian, set mainly in the Southern plains corresponding to the current Pakistan and neighbouring territories. The progenitor of Indian domestic breeds was widespread in its homeland, and, for centuries before it arrived to Rome, it was imported into Egypt. From the end of the first century AD onwards, during the numerous military campaigns, the Romans took cats with them, contributing to their diffusion throughout Europe. Traces of the presence of the cat have been found in all regions conquered by the Romans. However, all this was never experienced in Pompeii, whose life was suddenly brought to an abrupt end by the eruption of Mt Vesuvius in 79 AD.

Excerpt from: Annamaria Ciarallo, Orti e Giardini di Pompei , Publishing House: Fausto Fiorentino 1992, pp. 30

NOTE: Plutarch gives us this piece of news, cfr. Brehm A.E. 1931. vol. V p. 35

 

 

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WHY A NEW BLOG 


Today the web provides a huge amount of information, photos and news of all kinds. This is certainly a very positive development for the dissemination of knowledge: an immense free offer of information immediately available. On the other hand, the risk of running into unreliable news is very high. This is detrimental to any web user, but then it becomes unacceptable when the news pertains to the scientific field.

Hence the desire to share a blog of information on Archeology, in particular and the Sciences in general, analytically verifying each source (bibliographic and non) of the news, reporting it accurately. This is in order to provide “reliable” tools to other scholars who would otherwise have to undertake additional research in the same field.

However, in addition to archaeologists, historians and scholars in general, this blog has the ambition of delivering the news it contains to any enthusiast or “common” reader who loves Archeology.

So, our goal is to include rather than exclude, to approach rather than push away.

Consistent with this principle is the language used in this blog: the English language. The use of the Italian language would have excluded the majority of potential readers of the articles to follow. English is a “democratic” language because it is understood and spoken by everyone.

Therefore, despite the purely scientific nature of this blog, we will try to use a simple and comprehensible language for everyone. Of course, it is not frequent that archaeological and scientific articles can be read easily and with pleasure, but this is our intent. A great archaeologist and historian of ancient art, the Sienese nobleman Ranuccio Bianchi Bandinelli, remembered, amused, that the best review of his book “Roman art at the center of power”, published in the collection directed by André Malraux “L’univers des formes “, had been that of a mediocre opponent, who, thinking of undermining the work, had said that the book by Bianchi Bandinelli was not to be studied, but to be read. (1) Hopefully we will be able to say the same, even if on a different note, about this blog and the diversity of the topics which we will offer below.

Another reason that led us to embark on this adventure is that scientific dissemination in general, and that relating to the classical world in particular, have been and continue to be the glory and pride of the Anglo-Saxon culture. As a great civilization of Dilettanti (amateurs) – as a glorious association of eighteenth-century English archaeologists was called – the Anglo-Saxon world has developed a scientific literature for the delight of the common person, the “commoner” over time. (2) This literary tradition has reached an ever-wider audience.

In Italy, meanwhile, the Academic world has withdrawn on an “Olympus of knowledge”, self-referential and with an indifference to the thirst for knowledge of the “common people”. Academics, scholars, museum directors tend to take as their main – often exclusive – reference, their own scientific community. From popular scientific television programs by the BBC to those by Alberto or Piero Angela, from Roberto Giacobbo to Mario Tozzi, which play that role of “trait d’union”- intermediary –  in that “vacuum” between the scientific world and the “common people”, at the moment too distant.

Fortunately, in recent times, even in our country, we have begun to record encouraging signs from “enlightened” directors of museums, superintendents and academics who have gradually started to turn their gaze towards the “real world”, but the road is still very long and we are only at the beginning.

 

Bibliography

  • Preface by  Mario Torelli in  Tὃlle-Kastenbein,  Archeologia dell’Acqua, Longanesi & C. Milano 2005, p. 1
  • Ibid p.1